SONATAS FOR PIANO AND VIOLIN – VOLUME IIICOMPOSER: WOLFGANG AMADEUS MOZARTSERIES: HENLE MUSIC FOLIOSPUBLISHER: HENLE URTEXT EDITION FORMAT: SOFTCOVEREDITOR: WOLF-DIETER SEIFFERTDESCRIPTION:-THERE IS NO OTHER CHAMBER-MUSIC GENRE FOR WHICH MOZART PRODUCED SO MANY WORKS – SEE THE SONATAS AND VARIATIONS – THAN THAT OF THE DUOS FOR PIANO AND VIOLIN. HE SPENT A CONSIDERABLE AMOUNT OF TIME WITH THE SONATAS, PROBING EVERY SOUND AND EVERY THEMATIC LIMIT AND COMBINATION. HE ALSO EXPLORED THE POSSIBILITY OF PAIRING OFF THE TWO INSTRUMENTS, THUS CREATING MUSIC OF PURE, TIMELESS BEAUTY BOUND WITH DRAMATIC POWER, ELEGANCE AND EMOTIONAL DEPTH.-CONTRARY TO THE EARLIER VIOLIN SONATAS, WHICH WERE ISSUED IN CYCLICAL GROUPS OF FOUR OR SIX PIECES, MOZART HAD ALL THE SONATAS IN THIS VOLUME PRINTED AS SINGLE WORKS, PERHAPS A SIGN OF THE SIGNIFICANCE HE ASSIGNED TO THEM – ESPECIALLY TO THE FIRST THREE. THESE THREE GRANDIOSE WORKS ALL BEAR TRAITS OF MOZART`S MATURE MASTERY. THE SONATA K. 547, IN TURN, WAS DESIGNATED BY MOZART HIMSELF IN HIS PERSONAL WORK CATALOGUE AS “LITTLE KLAVIER SONATA FOR BEGINNERS WITH A VIOLIN.” FOR THE SAKE OF COMPLETION AND BECAUSE OF ITS POPULARITY, THE ARRANGEMENT OF THE B FLAT MAJOR PIANO SONATA K. 570 IS REPRODUCED IN THE APPENDIX, ALTHOUGH IT IS IN ALL LIKELIHOOD A SPURIOUS WORK NOT WRITTEN BY MOZART.CONTENTS:-MOZART: APPENDIX: LATER VIENNESE SONATA B FLAT MAJOR KV 570-MOZART: LATER VIENNESE SONATA F MAJOR KV 547-MOZART: LATER VIENNESE SONATA A MAJOR KV 526-MOZART: LATER VIENNESE SONATA B FLAT MAJOR KV 454-MOZART: LATER VIENNESE SONATA E FLAT MAJOR KV 481-NOTA: SI BUSCA ALGUNA PARTITURA O MÉTODO, ENVÍENOS UN MENSAJE Y CON GUSTO ATENDEREMOS SU COMENTARIO, SOMOS ESPECIALISTAS EN MÚSICA IMPRESA, SI REQUIERE FACTURA FAVOR DE SOLICITARLA AL MOMENTO DE SU COMPRA.